the shape of flames burning in the Kamloops area a reason
for the limited color. July 2017
Brian Valli in the KAC Hallway GalleryWednesday, July 12 to Saturday, Sept 1 2017 Please check out Brian's first exhibition and do sign his guest book. This is so exciting for him.
Inside and Out
OPENING RECEPTION: Saturday July 15, 2 to 4 pm
This Exhibition is Brian's Journey through Art and the progression, which he has made over the last two years at Saturday Morning Art With KCP.
Established artist and mentor Kelly Tilly Perry has guided Brian through this journey at her Saturday morning classes at the Old Courthouse Cultural Centre.
Artist Bio: Brian Valli is a 60 year old man with deep roots in the Kamloops community. He has been painting for many years and has been honing his craft for the last two years with Kelly Perry on Saturday mornings. Brian has been fantastic at blending and mixing his colours. It is always awesome to watch his process in his paintings. He is crazy about the colour black and at times we restrict him. Brian expands his painting experience by now choosing from the pile of photographs before him and willing to now take the challenge to see how he can execute it onto his canvas. Art is Brian's feelings and at times his voice. Brian is also a proud Blazers fan and season ticket holder.
Artist/ printmaker, Shannon Yost, makes non-toxic printmaking ink, studied with Japanese Master Printmakers and learned a very ancient and little-known technique called the Moku Hanga technique of making your own inks. This ancient recipe has always used all non-toxic ingredients ,natural earth pigments in the mix! This ink is for wood block prints but can also be used for linoleum cuts and mono prints.
Materials: Rice Paste (Nori), Natural Earth Pigments, Magnesium Carbonate -optional, Alcohol (Gin is best) – optional (makes ink more archival and durable)
Tools: roller or soft brush, palette, small container, metal paint spatula
Mix 1 tsp alcohol & 1 tsp. water (1:1)
2. Mix pigment with gin/ water mixture to make creamy ink consistency
2 Tbsp natural pigment : 2 tsp. gin/water (adjust as necessary). Mix in small container with a chop stick. Scoop onto palette.
Add 1-2 tsp. Nori Paste (thinned a little with water)
4. If ink needs to be thicker add Magnesium Carbonate (Mag. Mix) – about ½ tsp. adjust as needed.
5. Continue to mix until evenly mixed in with metal spatula
6. Roll out until it’s evenly coating the roller (note: if it’s not sticking to the roller well, add more Nori)
7. Roll on Print
Note: the ancient Japanese technique is to actually brush the inks on the woodblocks with a wide, short bristled brush – rubbing it into wood vigorously. They also used wet paper to print on although dry is what we used.
Print with your desired technique – a press or rubbing with a barren
Notes: This recipe makes enough ink to make 1-2 prints. Mix more to make more prints.
All pigments have different absorption qualities and drying times so adjust recipe as needed.